
Why feeling pain with a BDSM gigolo can be freeing: exploring your limits, letting go, and safe surrender, told by Victor.

Glossary
The same pinch, the same slap, a completely different feeling. That difference has been measured, and it isn't in the skin.
Pain play is erotic play in which pain is administered and sought out with consent, as a stimulus and not as punishment. It is the everyday name for the pain half of sadomasochism. What the pain does depends on the circumstances in which it is felt, and far less on how hard the pinch is.
| Usage | in English people more often speak of the individual act than of the category as a whole |
| Sits under | sadomasochism, the S and the M of BDSM |
| Beside, not under | sensation play, where the stimulus is the goal and pain need not be part of it |
| Not the same as | punishment or corporal punishment, because there the pain is a consequence and here it is a goal |
| What has been measured | people who do this routinely tolerate more pressure before it becomes pain, and that scales with how often they play |
| Main condition | a safeword that works, and someone who watches instead of counts |
It almost always starts softer than people expect and lasts longer than they think.
A usual build-up: first warm up with the flat hand, ten minutes long, until the skin is warm and red. Only then something with an edge to it, a clamp or a whip, and after each series a moment of nothing. That “moment of nothing” is where the feeling tips over; anyone who pushes on misses it.
In this list the play is split up by what gets struck: breast torture, CBT, clit torture, ballbusting, biting, abrasion. Not separate disciplines, but each spot has its own risk.
Because pain is no measurement of what is happening to your skin, but the result of a lot of things at once.
Cara R. Dunkley, Craig D. Henshaw, Saira K. Henshaw, and Lori A. Brotto set the literature on pain alongside the literature on BDSM in The Journal of Sex Research, built a theory from it, and tested that against BDSM practitioners themselves. Their conclusion: the emotional, physiological, and psychological components of pain act on each other and together make the stimulus come in as pleasure. Their list of factors runs from neural networks, neurotransmitters, the body’s own opioids and endocannabinoids, to what you see, where you are, your mood, whether you want it yourself and have it in your own hands, the bond with the other person, arousal, and memories. Pain here can, according to them, evoke altered states of consciousness that resemble what happens in mindfulness meditation.
Note what that says: whether you want it yourself and have it in your own hands weighs as heavily in that list as the substance you produce. So the negotiation beforehand is no formality, it is part of how it feels.
One study measured the threshold itself, and it lies higher in players.
R. Defrin, M. Arad, M.P. Ben-Sasson, and K. Ginzburg set seventeen people who play masochistically on a routine basis alongside seventeen controls in the European Journal of Pain. Those who played regularly held out longer under the pressure gauge, and that effect grew stronger the more often someone played. Two other outcomes are more interesting for pain play than that number. They scored lower on pain catastrophizing, and their pleasure during a session was linked to the intensity and to the number of body parts involved. A session that runs over five spots is thus something other than that same force on one spot. What that threshold exactly is, how it is measured, and why it shifts by the day, is on pain threshold.
The appeal is in how narrow your attention becomes.
Under a stimulus that fills your whole head, tomorrow’s agenda no longer fits alongside it. That is the reason I hear most often, and it is also what Dunkley and colleagues base their comparison with meditation on.
Tension that comes from somewhere else stays standing. A fight that was never talked out or grief that was never touched is simply there again the next day.
“Harder is better.” No. Spread over more spots counts as heavily in the measurements as force, and the build-up does more than the maximum ever does.
“Pain play is punishment.” No, and the word itself explains why that confusion exists. The Dutch word pijn, according to the Etymologisch Woordenboek van het Nederlands, was borrowed as a Christian term from Late Latin pena, from poena ‘punishment’, and in Middle Dutch first meant ‘hard effort’ and ‘punishment, penalty’. Only because punishments were often corporal did the word come to mean bodily pain. The English pain traces the same Latin root, through Old French, from poena. Punishment is something else in the scene: there the pain is a consequence of something, here it is the goal.
I’m Victor, a gigolo, more than twenty-five years into BDSM and with a background as a psychotherapist. Pain play is something I do gladly and often, from taps to needles and electro, and I like it when someone struggles against it.
It most often goes wrong at the start, not at the end. Anyone who reaches for the heavy tools too soon misses the phase where the body goes along, and then everything just keeps hurting.
And I watch breathing instead of sound. Sound mostly says something about how someone is used to reacting. If the breath goes high and short, I stop, even if nothing has been said.
The blog section on pain goes into it in most depth, with the difference between hard and soft pain and between sharp and dull pain. Pain threshold and subspace explain what happens on the receiving side.
Beyond this list, the review article by Dunkley and colleagues is the best starting point for the theory behind it.
If you’re up for this but don’t feel like arranging the build-up, the tools, and the safety yourself, that is exactly what happens during a BDSM date. What we discuss beforehand is on that page.
Frequently asked questions
Pain play is erotic play in which pain is administered and sought out with consent, as a stimulus and not as punishment. It is the everyday name for the pain half of sadomasochism. Everything from a pinch to a needle falls under it, split up by where the body is struck.
Because the circumstances help decide what comes in. Dunkley and colleagues describe in The Journal of Sex Research how emotional, physiological, and psychological factors together make pain be experienced here as pleasure, with one’s own will and control among the heaviest factors. That same state resembles, according to them, what happens in mindfulness meditation.
Victor, a gigolo with twenty-five years of experience in BDSM and a background as a psychotherapist. Pain play is among what he does himself, from taps to needles and electro, and he’s glad to think along about where you’d start. You can ask with no obligation through the contact form or first chat for free.
Blog
This page gives the definition and the research. The blog covers how it feels, what kinds of pain there are, and why women ask for it themselves.

Why feeling pain with a BDSM gigolo can be freeing: exploring your limits, letting go, and safe surrender, told by Victor.

The difference between hard and soft pain in BDSM: what it opens up, how to explore it safely, and why nothing is wrong with you.

Sharp and dull pain in BDSM feel completely different. What each one does to you, and how to discover safely which kind suits you.
Related service
From taps to needles and electro, with the warm-up, the reading, and the aftercare included. The service page shows how such an evening is built up.

Book a BDSM date with a gigolo who has 25 years of experience. Safe, intense, always within your limits, from soft bondage to dominance.
Learn more
I'm Victor. If you doubt whether this is for you, or just don't know where you'd start, feel free to write me. I answer with no strings attached.
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A woman or a couple? Lovely that you are here, I would love to speak with you.