
Aftercare after BDSM is not an afterthought. Why it matters so much for women, and what to look for when you book a gigolo.

Glossary
Everyone knows how it feels and no one can order it. What has actually been measured about it is less, and more interesting, than the scene passes on.
Subspace is the name for what happens in the head of the receiving side while a scene runs: slow thinking, few words, a sense of time that no longer holds, and attention that shrinks to your own body. It is not sleep. You hear everything and you answer. The counterpart is called domspace.
| In whom | the receiving side of the scene, not the person carrying it out |
| When | during the scene; what comes after is called subdrop |
| Synonym | bottomspace; the counterparts are called domspace and topspace |
| In a dictionary | yes, at Wiktionary. Alongside the mathematical and the science fiction meaning |
| What has been measured | one scene experiment with fourteen participants |
| Biggest misconception | that it is a performance you can order or have to reach |
From the outside it looks like someone who is no longer there. On the inside the field of view shrinks rather than a light going out.
Here is how it usually goes. Halfway through, the answering changes: the sentences get shorter, then single words, then only sound. Whoever asks how it is going gets “yes” back, even when the answer should be no. That is not unwillingness. It is the weighing part of the head working the least hard at that moment.
Time is already off by then. Twenty minutes feels like five, and afterward a piece is missing from the memory. Usually not the most painful piece, but the most boring.
Less than the scene passes on, and with a result that calls for precision.
There is one study in which it was measured during a real scene. Fourteen experienced BDSM practitioners were randomly assigned one of the two roles by Ambler and colleagues and did a Stroop test around their scene: you have to name the color of a word while it spells something else. Whoever received had much more trouble getting through it afterward; whoever performed did not. The authors link that to what Arne Dietrich calls transient hypofrontality: temporarily less activity in the front part of the brain, the part that plans, weighs, and keeps an eye on itself.
Note the size: fourteen people, one measurement afterward. And the result does not say something breaks, but that something temporarily works less hard.
And the theory behind it has been tested outside BDSM, with a more nuanced result than the scene usually retells. In the Quarterly Journal of Experimental Psychology, Myungjin Jung, Seungho Ryu, Minsoo Kang, Amir-Homayoun Javadi, and Paul D. Loprinzi lined up 22 studies in which people thought while they moved. Across all intensities together, nothing happened: exertion during a thinking task had no effect on performance. Only at high intensity did it go differently, and then only for tasks that depend on that front part of the brain.
Something practical follows from that which you rarely hear. Tested the way it was there, this phenomenon belongs with heavy load and not with half an hour of light play. Whoever says after ten minutes that she was in subspace is probably describing something else.
From English, and it shares its entry with two very different worlds.
Wiktionary lists subspace with three meanings. The first is mathematics: a subset of a space that is itself a space. The second is science fiction, where it names the way faster-than-light communication works in Star Trek. The third is this one: “the psychological state of the submissive or bottom during sadomasochistic activity”, with bottomspace as a synonym and domspace and topspace as sibling words.
In Dutch the word does not exist. Zero entries in the Woordenboek der Nederlandsche Taal, zero articles in a century and a half of the Koninklijke Bibliotheek newspaper archive, and zero hits in Green’s Dictionary of Slang. That last one is not nothing: it means that in English too it is not street slang but professional jargon, written down by the people who use it.
Because your head goes quiet without you having to try, and for some people that is the only moment in the week when that succeeds.
One person describes it as the silence after months of noise. Another only notices afterward that something let go. And together it is the moment the evening tips: from then on one of the two does all the watching.
It cannot be arranged, it does not come to nearly everyone, and it is not a goal. Whoever works toward it usually pushes through a point where she would have done better to stop.
“In subspace you can still just decide.” That is exactly what is wrong: the part of your head that weighs things is then the least available. So everything that has to be decided should be agreed beforehand, and a check-in with only yes or no works better than an open question.
“Subspace and subdrop are the same.” No: one happens during, the other after. Subdrop usually comes hours or days later, and you can get it without ever having been in subspace.
“If you didn’t have subspace, it wasn’t a good scene.” There is no reason at all to think that. In the only scene research there is, it is about an average over fourteen people, not a norm.
“Subspace is unconsciousness.” No. You hear and you answer. What is gone is the overview. More dangerous than sleep, because from the outside it cannot be seen.
I am Victor. I have worked in BDSM for twenty-five years and have a background as a psychotherapist. About subspace I promise nothing beforehand, and afterward I don’t ask about it.
I read it off the breathing rather than off what gets said. The moment someone only says “hm”, I move from open questions to squeezing a hand: once is fine, twice is stop. That is the only way I know what I know.
And it almost never goes wrong during the scene. It goes wrong in the half hour after, when someone gets dressed and thinks she is all the way back. That is why I plan nothing after the untying, and I say out loud when we are done.
On this site, domspace describes what happens on the other side, subdrop is about the dip after, and rope space explains how practitioners describe the same state in their own words.
Off this site, the meta-analysis by Jung and colleagues shows how firmly the mechanism actually stands. It is about exercise, and that is exactly why it is useful.
What you can arrange here is the setting around it: plenty of time, a signal that works without words, an empty schedule afterward. The BDSM date page sets out how that goes in practice.
Frequently asked questions
People describe it as a field of view that shrinks to their own body. Sentences get shorter, then single words, then only sound. Twenty minutes feels like five, and afterward a piece is missing from the memory. Usually not the most painful piece but the most boring.
Poorly, and that is the most important thing to know about it. The part of the head that weighs things is then working the least hard; in the only scene research there is, the receiving role performed clearly worse afterward on a test that draws on it. So everything that has to be decided you agree on beforehand, and a check-in with only yes or no works better than an open question.
Victor, a gigolo with twenty-five years of experience in BDSM and a background as a psychotherapist. He never promises it beforehand and doesn’t ask about it afterward, but is glad to talk it through. Even if your question is whether it’s a problem that it didn’t happen for you. Ask with no obligation through the contact form or chat for free first.
Blog
Two pieces about the part where it goes wrong in practice: the half hour after someone comes back, and why feedback during the scene keeps counting.

Aftercare after BDSM is not an afterthought. Why it matters so much for women, and what to look for when you book a gigolo.

Feedback in BDSM builds trust and safety. Here is how open communication changes everything, also when you book a gigolo.
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I'm Victor. This is the part of an evening you can't plan but can catch. Ask whatever you want to know; no meeting has to come out of it.
A woman or a couple? Lovely that you are here, I would love to speak with you.